Thursday, May 02, 2013

How to dress 'modestly' and preserve Indian culture.

You must be aware of the rapes happening in Delhi. Or in India for that matter. We are proud of our culture. We are proud that we may be having the largest number of male chauvinistic pigs in the world. We are proud that we as women, cannot walk alone in the Capital safe. We as women cannot dress 'provocatively' nor speak out our minds. Because guess what, any man on the street can take one look at us, grab his crotch and rape us. 

To avoid all that problem, we do have a solution. 

My patented 'Keep-yourself-from-being-raped-Dress'. This costs almost little. We charge extra for cutting out a hole for you to breathe. However no holes will be cut out for your eyes, as even one glimpse of your eyes could make a potential rapist go mad with lust. In addition you may use wires or steel cables to tether the dress to yourself so that even HurricanE Sandy cannot expose you accidentally. Alternatively you could nail the dress to your body a la-Jesus style.


Friday, April 05, 2013

My Malayali-half's anguish.

It is only recently that I got interested in Kerala’s culture and stuff. Not that being called a ‘Madrasi’ in Gujjuland did ever make me 'feel' Madrasi.
However digging back into my family's history, I found a lot of interesting stuff. How my mother’s family originates in a place called Thalassery, a British stronghold, where they probably traded in spices, from where they ran to Ponnani when Hyder Ali attacked it. In Ponnani the family ‘got into the warehouse business’ which as I understand has something to do with constructing warehouses and probably leasing them out to the Company. Anyway Hyder Ali’s atrocities against the Nairs which included forced conversions into Islam and deportation to Kanara forced my ancestors to flee to their present place near Shoranur. I’m told that we had an elephant in the house since it was a sign of affluence. I still have memories from my childhood where the lower castes while talking to my paternal grandmother would not cover their upper body, stand with their arms folded across their chests as a mark of respect and talk in low voices, and move out of the way when we passed them. Of course those customs have vanished since then.
Some old stuff from the ancestral house revealed wooden parasols used to shield the Nair women from being ‘looked at’ by outsiders when they went outside as well as daily-use objects like ‘bhasma-kottas (baskets containing holy ash, hung outside the houses for anyone entering the house) or huge wooden containers used for storing grains or even mud-houses for hens. These things have been replaced by modern appliances and utensils and I often see myself digging into wooden chests or dragging my hands across the walls in long-shut rooms trying to read the stories etched on their surfaces. Waking up to the smell of smoke from burning wood in the kitchens, sleeping to the swish-swish of wooden hand-held fans, while outside the fragrance of jasmine and paarijatam pervaded the night, mixing with that of ripening mangoes and jackfruits. It was easier in those days to believe that all was indeed well with the world and that as long as we cared for Mother Nature, she would take care of us too. Now going back into the long-locked rooms of my memories, I pull and pull at moments spent in bliss, climbing mango trees, chasing hens, riding buffaloes, tagging along with the cowherds that took our cows out to pasture, bare-footed, being bitten by red ants, sitting next to the cows and calves in the cowshed cooing sweet-nothings into their ears, jumping into the stream to cool off on hot afternoons, walking 2 kilometres to the nearest auto or bus stand, luring the pet dogs to hide under the dining table so that the vegetables on my plate would find greedy takers, lying on big rocks in the rubber estate only to be scared by scorpions and other creepy crawlies, trying to milk the cows and get kicked in the process, hunt for snakes in the grass with puffed-up-chests only to run screaming into the hands of the nearest adult on spotting one..….

Yet it is more and more difficult to connect those days with the present. The disconnect is so jarringly obvious that I shut my eyes to stop them from pouring out. And as time passes, these memories get more and more difficult to pull out, refusing to come out from their spider-webbed, dusty long-forgotten corners of the mind. 

Sunday, February 03, 2013

Vishwaroop - Movie Review

Cast: Kamal Haasan, Rahul Bose, Pooja Kumar, Andrea Jeremiah and Shekhar Kapur (in a guest appearance)

After reading so much about the controversy around this film, MOH and I were in a desperate situation where we totally HAD to see this movie even in Russian! We did not get the Tamil version's tickets, but managed to grab the Hindi version before the censor board ate it up.

If India sends this movie to the Oscars, at least the jury will feign some interest in watching it instead of puking at the usual kachra we keep force-feeding them :p Of course it is not Oscar worthy because it is an out-and-out action film and there are definitely better films out there.

Which reminds what are those folks protesting against and why are the other folks banning it? The protagonist is a Muslim who stakes his life for his Hindu motherland - how do they ignore this crucial staring-in-your-face fact and go on to protest against some one-liner (or whatever political fiasco is being played) that apparently offends a particular religion? How can any religious faction WHETHER Hindu or Muslim or Christian tell us what to watch, read or wear?

Anyway, back to the movie - India arrives on the International scene with this truly Hollywood-ishtyle choreography. From the point of view of a terrorist organization, I'm pretty much impressed with the details Kamal has paid attention to - the nitty-gritties of costumes, dialects, gestures, quotes from the Koran and general mannerisms of terrorists, effeminate-men, serious-officer etc, not unlike Dasavataram - he flits between characters with utter ease and perfection. Though post interval, the movie slightly dragged, all the blazing guns and chases more than made up for it.

Of course I disliked the part where, in the end, the wife realizes she loves her now feminine-turned-masculine husband (and all the while I'm quivering in my seat, hoping that she does not flash her mangalsutra and give some dramatic dialogue of how 'yeh-bandhan-nahi-tutega-blah-blah' or a drop of blood from his wound will fall on her hair-parting or wherever).

There were brilliant scenes - Kamal reciting aloud the namaz before he is to be 'killed' or an effeminate Kamal teaching kathak to his students or the sudden fight he starts in captivity, the sarcastic one-liners etc etc. I can only imagine the research the team must have done, and the sets they must have thought of in their minds. If you could put together numerous news items from across the globe - relating to the activities of the LeT or such terrorist organizations, you could make a movie out of it. 

Maybe I am reading too much into it, but what the hell I walked out of the cinema with a contented smile :) Tamil directors have always been brilliant, this is just one more feather in their cap, of course barring the fat lady :p